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06 April 2013

Ahhh! An Amalgamation of Accomplishments

It's been a weird couple of months -- I've had some minor health whatsits that I've been focusing most on my energy on.  I've whined plenty on Ravelry, so let's jump past the BS and...HAVE SOME MINIS!

minis minis minisminisminis!!!!!!
Exciting, right?!

In January, I sent off a package full of handmade baby goodies to the sweet folks in Eisley.  They're a Texas-based family band, and 4/5 of the band were either expecting babies or had newborns.  Part of what was included were: a Baby Sophisticate; a pair of Saartje's Bootees; three tanks that I designed, knit from bamboo I dyed...

Lucy - Sophie - Scarlett

...and probably my favorite of the bunch: a 15-inch tall doll, designed from art drawn by one of the gals in the band.

Photo credit: Sherri DuPree-Bemis
The patterns for the tanks will be on Ravelry at some point.  I haven't spent much time around babies, and I've never designed for them before, so writing them up has been interesting.  I can follow standard guidelines all day long and still worry about how they'll work in the real world -- test knitting is going to be fun!

A couple of months ago, I learned how to bookbind.



It's become my favorite new craft: there's precision measuring, extremely limited working time, and some really tense moments.  It's worth it, though -- the end result are some really gorgeous, truly individual books.


Some of the journals I'm making have graph paper instead of lined pages -- they're awesome for knitters, as they make charting patterns easy-peasy.  You can find them on Etsy.

Other minor updates:

The siren song of Michael's 40% off coupons, combined with my need to organize, resulted in me buying one of their so-called "Melmer" storage units.  (Brief history: IKEA has a product called Helmer, which is basically a small filing cabinet; some ingenious folks discovered that Michael's has a close equivalent.  Michael's + Helmer = Melmer.)  It was white to begin with, and I painted the fronts of the drawers with some acrylic paints.  Please excuse my Instagram filter...



I knit a jackalope head, courtesy of Hansi Singh's pattern, and mounted it similar to this awesome project.

I only apologize for Insta filters once per post...
My boyfriend and I learned how to make candles -- this batch was made from soy wax, Scots pine scented.


I've been playing a ton of guitar lately, much to my neighbors's chagrin.  I'm addicted. My dad bought me a little three-quarter acoustic when I was in elementary school, and I didn't start playing until high school; even then, I was more comfortable with the bass I'd since added to my collection.  Chords totally mystified me!  About three years ago, I decided to try learning chords -- again -- and it actually proved successful.  In the middle of writing this post I learned a new (to me!) barre chord, and am now stupidly proud of myself.  Bonus dog!


23 November 2012

MINI-SKEINS

If any post deserves a title in all caps, it's this one.  If you have yet to fall prey to the mini-skein trap, please allow me to do my best to persuade you on their inherit awesomeness.

A mini-skein (or mini) is just a smaller quantity of yarn than what is normally sold.  For example, I sell full skeins of sock yarn in 220 yard lengths, and minis in 41 yard lengths.  The shorter length is fantastic because many colorwork projects -- imagine a fair-isle hat -- only require small quantities of several different colors.  If you only require a small amount of yarn, it's much more economical to buy minis in multiple colors than to buy full skeins of yarn.

Practicality aside...they're just plain fun.  To put together, to plan with, and, most importantly, to knit with.  Since I started dyeing yarn and working with minis, the majority of my projects involve several different colors.  


They also make excellent stocking stuffers and swap gifts for the yarnie in your life!



24 August 2012

Textural Knitting, a Mini-Series: Cables

There are two basic stitches that make up knitting (click for videos): the knit stitch & the purl stitch.  Knitters can create all sorts of fabrics by working these two stitches.  Here are three plain-Jane variations:


Ribbing is made from alternating knit and purl stitches; the example above is called a 1x1 rib, meaning I purled a stitch, then knit a stitch, purled, knit, etc.

Stockinette is made from alternating rows of knit and purl stitches; in this example, I purled a row, then knit a row, purled, knit, etc.

Garter stitch is made up of solid knit stitches.  It's usually the first thing knitters learn how to do; my first year of knitting was dedicated to making garter stitch scarves as presents.

Each of these fabrics has different properties:

  • the ribbing is extremely stretchy horizontally; if we tug on either side of the fabric, there will be a lot of give.  Most off-the-rack sweaters will feature ribbing around the bottom of the sweater, the collar, and the wrists.
  • the stockinette stitch is fantastic at wrapping around curves; you'll notice that even on this small sample, the sides are turning inward.
  • the garter stitch is quite stretchy vertically; if we tug downward on this small piece of fabric, there will be a decent amount of give.
These are kind of the building blocks for a decent chunk of knitting; I don't think I've worked a single project that didn't incorporate at least one -- more often, two -- of these fabrics.

However, they can start to get...boring.  Especially for folks like me, who are restless and like a little excitement in their knitting.  (Does that sound like a contradiction...?)  Enter: textural knitting.


Cables are raised, three-dimensional twists, and are made by manipulating the placement of stitches along the needle.  Let's break this down into a step-by-step instruction for the cable shown above.


  1. Our starting point.
  2. Cables are usually on a background of reverse stockinette stitch, which looks kind of similar to garter stitch.  This background helps the cable -- typically worked in stockinette stitch -- 'pop' off of the fabric.  We'll purl the first couple of stitches to keep up that background.
  3. Instead of knitting the next few stitches in their correct order, we're going to take the first two of those stitches and slip them onto another knitting needle...
  4. ...and hold that other needle to the front of our work.
  5. Then, we'll knit the next two stitches and replace the two that we held to the front on our 'working' needle...
  6. ...we'll then knit those two stitches...
  7. ...and then purl the remaining two stitches, finishing the background stitches.
Basically, all we did was disrupt the working order of the stitches.  By holding those two stitches to the front and working them out-of-order, we created a twist in the stockinette -- and thus, a cable is born.

Cables come in all sorts of shapes and sizes.  They can be small, like the example above, or much wider, or narrower.  They don't always make a braided pattern; check out some of my projects that incorporated cables for a small sampling of what they can look like.


My Redbud Hat design also relies on cabled stitches to create a tree pattern:


Thus concludes part one of the mini-series.  Stay tuned for the next edition: bobbles & nupps!

17 August 2012

Everything You Ever Wanted to Know About Yarn Weight, But Were Afraid to Ask


Yarn comes in different weights, or thicknesses.  Weight to yarn is as gauge to wire; it gives a rough approximation of the circumference of the yarn.  Applying a weight to a yarn is called yarn sizing.

Yarn sizing is about as accurate of a science as women's clothing sizing.  Theoretically, it's the same basic concept: no industry-wide standard means that a size 2 dress in one brand is a size 6 in another.  Early in my knitting years (pardon me while I get misty-eyed with nostalgia...), I blindly went by the manufacturer's given weight.  This resulted in some unfortunate pattern/yarn pairings.  It takes a practiced eye to determine a yarn's weight more accurately than the one given by the manufacturer.  In fact, I've taken some liberties with my yarn stash, or supply, and have shown the following yarns as they ought to be classified, rather than how the manufacturer suggests.


What's the point, you ask?  Why would someone need different sizes of yarn?

It's all about the application.  For a gossamer-thin shawl, thread- or lace-weight yarns are often called for.  A thin yarn will feature knitted lace patterns, whereas they would mostly disappear in a thick yarn.  Likewise, a sweater made out of a thread-weight yarn for someone who lives in a cold environment wouldn't be the best pairing; the sweater would be super skimpy, and, most likely, not at all warming.

Yarnies -- as I like to call fiber crafters -- are a colorful bunch, and have invoked several different names for the same weight of yarn.

+ Thread can also be called 'cobweb'
+ Sock can be called 'fingering' (yes, you're reading that right) or 'light fingering'
+ DK stands for 'double knitting'
+ Aran may be referred to as 'heavy worsted'

There are also several weights of yarn that I didn't include above, simply because I don't have any on hand: bulky, super bulky, and novelty.  Novelty yarns are things like ribbon, eyelash yarn, etc.

Here are several of my knitted projects, and their corresponding yarn weights.  This ought to give you a good idea of how the weights look as fabric.


Every knitting pattern has a recommended yarn weight, so it's often the first thing that knitters look for when trying to find what yarn they'd most like to use.  Weight is just the tip of the iceberg when it comes to describing yarn: enter ball-bands, and remove thy mind from the gutter.



Ball-bands are kind of like an ID card for yarn.  They come in all sorts of forms, but contain the same pertinent information -- not included below is that they all list the yarn's country of origin, too.

The dye lot: yarn is typically dyed in bulk, and dye lots refer to the batches of yarn that are dyed together. For example: this yarn is turquoise, which the company calls #24.  It's from dye lot 10116.  Towards the end of my project, I run out of yarn, and need to make an emergency trip to my LYS (local yarn store).  The LYS only has #24 from dye lot 12000; so, while it may be the same shade of turquoise, there may be small variations.  Here's an example from a sweater I knit where I didn't match dye lots; for shame!  Knitters, scroll quickly, because this is pretty ugly.


If you look on the yellow square on the chart above, you'll see 'recommended needle size' and 'gauge.'  In (mostly) English, this means that the manufacturer says that, if I were to use a knitting needle with a circumference of 3.25 mm, a 4" x 4" knitted square with this yarn will be 28 stitches wide and 34 rows high.

All knitters knit differently.  Personally, I am a 'tight' knitter, which means that, to reach gauge, I might need to use a 3.5 or 3.75 mm knitting needle.  Others are 'loose' knitters, and might need to use a 3.00 or 2.75 mm knitting needle.  Still others are special snowflakes and knit perfectly to gauge every time.  Bitter?  Moi?

Knowing this, you might understand why gauge is so important.  If I throw caution to the wind and knit a sweater with the recommended needle size, I might end up with a sweater that's several inches too small for me to wear -- all because my gauge was off.  Patterns always specify gauge when it matters; things like toys or knitted genitalia (yes, this is A Thing!) usually don't list a gauge.  Size, as it turns out, doesn't often matter.*

Another thing you might notice from the chart is the number '50g': this is the weight of the yarn -- and I don't mean the thickness!  No, this is the actual weight: as in, if we put this ball of yarn on a scale, it should weigh 50 grams.

Most yarn is sold in 50 or 100g weights, and the yardage of these weights will vary by the, um, weight (thickness!!!) of the yarn.  For example, 50g of lace yarn might yield 400m of yarn, whereas 50g of bulky yarn might yield 100m.  Often, a 50g ball will actually be closer to 51 or 52g in weight; my theory is that manufacturers add a little extra length, to account for any stretching (and therefore skewing-of-length) in the process of splitting yarn into balls or skeins.  Speaking for myself, I always add an extra yard of two to the yarn I sell.

If you've seen any of my recent pattern publications, you know that I've been featuring multiple colors within a single design.  I needed to include how much yardage of each color was necessary for folks to be able to knit my patterns.  I did this by converting the yarn weights to yardage.

Still with me?  Let's break this down, using my Hat for Matt (Estrella Hat) as an example -- the blue one:


There are three shades of blue that make up the body of the hat.  This particular yarn is listed as 50g per 108yd of yarn -- this means that every yard of this yarn weighs 2.16g.

The main blue started at 52g in weight, and ended  at 23g.  Thus, I used 29g of yarn.  To figure out how many yards that is, we multiply 29 (grams used) by 2.16 (grams per yard of yarn) = 62.64.  I rounded up to 65 yds of the main blue yarn required when I wrote the pattern, for the same reason manufacturers add a gram or two to their yarns.

And there you have it: way more than you ever wanted to know about yarn weight, and are sorry that you asked about.



*Grrrrroan.  Sorry, I couldn't help myself.

07 August 2012

Luna Hat

I have a another new free pattern available for download over at Ravelry.  It's worked in sport and DK cotton yarn, and is really simple to knit.  I've been really feeling simple, geometric patterns lately -- can you tell?







16 July 2012

Estrella Hat

I have a new free pattern available for download over at Ravelry.  It's worked in sport and DK cotton yarn, and is really simple to knit.  I used contrasting colors for an earlier version of this hat, and will do so for my next one -- but I like the way this one turned out!






18 May 2012

Aw, knit!

Jeez, it's been awhile.

I've been getting up to all sorts of fun stuff. My Etsy store -- appropriately named Tessalit Fibers -- is going strong.  I'm really loving trips to the post office with my dog* and sending yarn across the country and around the world.


Last night I had my first trunk show.  A trunk show is where a crafter works in conjunction with an established seller -- typically, a brick & mortar store -- to attract a new set of customers.  For example, all of my yarn is currently sold through Etsy, which is fantastic for worldwide access, but not so great for people who don't use Etsy.  I met up with some very lovely folks from The Purl District, an LYS (local yarn shop) not too far from Portland.


*Speaking of dogs, this happened:


Ever since we moved to Oregon -- October 2011 -- I've been complaining about wanting a dog.  Puppy Wanting had reached critical mass: I wanted a dog the way most women want babies.  I've grown up with dogs, and while I love my cats and their bad attitudes, missed that feeling of complete adoration.  My parents have an Australian Shepherd and an Aussie/Blue Heeler mix, and they are the smartest, most neurotic dogs ever.  I prefer my pets from shelters or rescues, and had been trolling a local Aussie Rescue chapter for a few months, but not making any moves.

In April, a work friend had an Aussie that, unfortunately, needed a new home, so we volunteered ours.  He's three and a half, in excellent health, and doesn't have the high energy levels I've come to associate with Aussies.  We hit the dog jackpot with this guy -- he's looking at me right now like I'm crazy.

Mercedes is well and done.  My test-knitters were fantastic, some final changes were made to the pattern, and I'm really, really happy with how it turned out.  If you're a knitter, and interested in tech specs: it's knit entirely in-the-round to the underarms, where it's split.  The sleeves are shaped with short rows & picked-up stitches, so the whole thing is completely seamless.  It's easy-mode, sweater style!


I was invited to a fiber festival that will be taking place in November, so the next couple of months are going to be spent gearing up for that.  I'm looking into purchasing a Cricket Loom and learning how to weave, something I've LONG wanted to do.

Finally, I'll leave you with a picture of some yarn I dyed a few days ago to use on some hats I'll be gifting.  This is one of my ideal color schemes, and there are going to be tears shed when I have to part with this stuff.




06 March 2012

Lately

I've spent the last three days working my tail off.  It's pretty cool, having a few days off from my 'real' job to focus on my dream job.  What have I been working on?

Test-knitting a Mercedes in my own size.  I started on 29 February, and it's already almost done -- makes me feel legit, and my wrist feel ANGRY.



Dyeing a ton of yarn -- seriously, a ton!  About 5000 yards of the stuff...and I don't even get to keep it :'[  It's a bunch of fingering weight yarn, which I'm turning into mini-skeins.  (PS: mini-skeins are a major-pain!  I didn't realize how much work goes into them, what with dyeing, measuring to length, and skeining up.  My hat goes off to all of the indie dyers out there who make a real business in them.)



I pulled my Agave Nectar Quilt (the vegan version of The Beekeeper's Quilt, if you will) out of storage and have been sloooowly adding on to it.  It's sitting at 142 puffs, with a few more that still need to be sewn on.  I've been scenting mine with jasmine and lavender and it smells so good.



I've also randomly decided that I want a full shelf of unnaturally-colored amigurumi.  I've started off with an octopus, of course; I once joked with a friend that my Patronus* would be a giant squid.  He still needs some eyes, but other than that, he's good to go.  If you're interested in making one, I used this pattern.


Also, perhaps the thing I'm most excited to share: I've opened up a new Etsy shop, fittingly named Tessalit Fibers.  It's pretty sparse right now, but keep an eye out for Exciting New Things!

*Yes, in addition to all of my other nerdy proclivities, I am a Potter fangirl.

04 March 2012

Mercedes


My sweater pattern, Mercedes, is currently being test-knit.  If you're a knitter and are interested, check out this thread on Ravelry.





It's modeled here by the lovely Jenny Gacy -- the fantastic artist responsible for both the header of this blog and for teaching me this knitting thing in the first place!


20 February 2012

When Life Hands You Lemons...

On Facebook recently, a friend was talking about a misfortune that had befallen her family, but she put it in a positive light.  A friend of hers left a comment that said, "You guys are such lemonade people!"

Lemonade people: the idea that folks can take the bad, deal with it, and find the silver lining.  I dig it.

So, in that vein, I decided that the perfect afternoon treat on a rainy (surprise!) Oregon day would be lavender lemonade.  As I mentioned in my last post, florals reign supreme in my book: some of my formative years were spent in the Texas Hill Country, and a neighborhood friend taught me how to pick honeysuckle blooms and feast on the nectar.  I've been a flower-fiend ever since.

I love the sweet, nuanced flavor that florals add, especially to teas and baking.  Jasmine tea, hot or iced, always hits the spot; rosewater in baked goods adds another dimension of deliciousness; and of course, honeysuckle bubble tea, which was one of the things I absolutely had to treat myself to before waving goodbye to Texas.  (Austinites, if you get a chance, hit up Toy Joy's cafĂ© and try one of these -- they're amazing.)

Lavender pairs especially well with lemonade: their flavor is strong enough to shine through layers of citrus and sugar, and gives an unexpected bite to the drink.  The colors also compliment well, making it as pretty to look at as it is tasty to sip.



Lavender Lemonade
adapted from The Native Foods Restaurant Cookbook

I prefer my lemonade on the tart side, while my boyfriend prefers his to be sweet.  I use less sugar when I make it, and he adds stevia to his glass to suit his tastes.

Makes 2½ quarts.

Ingredients
10 lemons
2-2½ tbsp lavender flowers, based on preference
1½-2 c sugar*, based on preference (see note at top)
10 c water

*If you're a vegan, make sure to use sugar labeled as 'vegan-friendly'



I use a microplane for my lemonade for a couple of reasons: it ensures that I don't end up with any bitter pith, and it makes super awesome naked lemons (don't worry, there will be pictures).  You could use a paring knife instead, and peel them in a corkscrew fashion; however, you will need to make sure that you're not including the white pith.

Wash your lemons thoroughly, and peel off any stickers that may be on them.  Using your microplane, zest all of the lemons over a mixing bowl.


Aforementioned naked lemons -- who would have thought that you'd need to turn on SafeSearch when Googling my blog?

Once you've zested all your lemons, cover the zest with the sugar.  Let the mix sit for at least half of an hour; the sugar will help pull out the flavor from the zest.  During this time, give your lavender flowers a rough chop and pour them into the bowl.


A layered dip that will, unfortunately, not make you popular at parties.


Bring the water to a boil, then remove from heat and pour carefully over the mixture.  Stir to dissolve the sugar, then let sit for 15-20 minutes.  While it's steeping, juice your lemons; I got about 3/4 of a cup of juice from my 10 lemons.  If you want lemon wedges to garnish with, make sure to slice them now, before juicing your lemons.  Add the lemon juice to the mix and give a final stir.  Strain the zest, lavender, and seeds (if any) out, then serve over ice.


A couple of my other favorite variations on lemonade: 
  • Substitute matcha powder for the lavender
  • Muddle mint leaves and add to regular lemonade
What is your favorite type of lemonade?  Do you enjoy floral flavors?  If so, how do you incorporate them?

KNITTERS!

I've finished the sample, and am about to get my first-ever sweater pattern out for test-knitting!  There will be a teaser post in the next few days, demonstrating techniques used in the pattern.  I'm really excited about this one -- keep an eye out!